"'The Book of Hours', the large book I am doing at Harper-Collins forĬhildren. I've got another year and a half to go."īy Phill Jupitus, Channel 4 Big Breakfast, 6 November 1998 There will be 400 paintings in the book eventually and I've been working Which is a book of 24 stories, each at a different hour of the day. They'reįor a book called The Book of Hours which I'm working on right now, "These are five foot by four foot, so they're big. Transcript of on-line Hollywood Spotlight appearance, 23 June 1998 It's 1,000 miles from horror or anything like horror." The children's book is called "The Book Of Hours", each hour of the day Will be the literary equivalent of Fantasia, one of my favorite movies. Married up painting and writing that closely to make it a book that It's taken me 2 years til now and another Almost like the stories are explanations of the
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One is a huge book for Harper Collins Children's publishers,Ī book of 25 stories for children of all ages, plus 200 oil paintings "I'm sort of engaged in two right now which fall intoĬategories.
Similar to Thief noodling around at the back of my head." Will be called Clive Barker's Book of Hours. Of a little earlier, with many short stories and illustrations, which Paintings and 25 stories, which I am in the midst of creating. "There's a huge new illustrated book for children with 200 oil So what I've tried to balance off, constantly, is - how can I make a beautifulīook which will be very decorated and very dense but would not be something which would I don't like, therefore, the notion of the rather rarefied, expensive edition.
I like the idea of getting these personal visions into the largest number of heads possible. Problem is that, essentially, I'm a democrat, and I like the democracy of art.
"I think the idea of the illuminated picture, the illuminated story, is one that's very appealing, and I've been talking to a couple of people about that possibility. San Francisco Chronicle, 22 February 1999 - reporting the 'Tapping YourĬreative Energy and Imagination' Learing Annex seminar in San Francisco, "It is a Book of Hours, the feelings of the hours of the day." Laughter, as though the plants were hugely amused by the sight of their own protean lives. On all sides there were signs of this uncanny life: cracklings and mutterings and stretching and yes, even something like Wasn't that an eye surreptiously opening in the head of a flower? And something uncannily like a mouth, gaping in the moisture-fattened bulbs of a plant that sat half in the earth and half out, like a bright green onion? The monsoon had awoken dormant elements in the greenery, parts of its blossoming anatomy that did not entirely resemble plants. Vines curled and climbed from the remains of their rain-beaten elders like eager green children, while ferns sprang up, uncoiling their tender shoots at such speed they were grazing the lower boughs of the trees in seconds.
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From broken twigs and cracked boughs new growth sprang up, healthy and green, buds fattening and bursting in front of their astonished eyes. Roots, many of which had been exposed by the force of the water, stretched down like gnarled fingers into the muddied ground. Everywhere around them, the wounded plant life was begining to grow again.
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